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ON SALE THIS FALL

LET’S TALK

Join us for our post-show TALKBACKS with artists and AUDIENCES CONVERSATIONS moderated by MCC staff after select performances, and for FORUM DISCUSSIONS and events aimed at provoking conversation and public engagement.

FORUM DISCUSSIONS & PUBLIC ENGAGEMENT EVENTS

AUDIENCE CONVERSATIONS

POST-SHOW TALKBACKS

Dear Santa, for Christmas this year I want a Pound Puppy, a Speak + Spell, and a nuclear radiation detector.

In this celebrated play directed by Tony Award nominee KNUD ADAMS (ENGLISH), a prominent Black conservative brings his mysteriously ill wife home for the holidays, setting long simmering tensions with his estranged family to boil. A fugue of Reaganomics, espionage, roller disco, and cults—underscored by the Syracuse, NY chapter of the Seedlings of Peace Children’s Chorus.

A New York Times Critic’s Pick during its 2025 run at Clubbed Thumb’s Summerworks, RO REDDICK’S (THROWBACK ISLAND) COLD WAR CHOIR PRACTICE is “…infused with choral music and spiked with espionage” (Laura Collins-Hughes)

COLD WAR CHOIR PRACTICE IS A CO-PRODUCTION WITH CLUBBED THUMB & PAGE 73

TIX ON SALE THIS FALL
PERFORMANCES BEGIN FEB 2026
PATRONS & SUBSCRIBERS GET EARLY ACCESS! Learn More

The Newman Mills Theater
THE ROBERT W. WILSON
MCC THEATER SPACE
511 W 52 ST
NY, NY 10019

BOX OFFICE HOURS
Our in-person box office opens 2 hours prior to each performance. Our remote team is available to assist MON thru FRI from 12 PM–6 PM by phone at 646-506-9393 and boxoffice@mcctheater.org.

All tix include $4 facilities fee. An additional $5 service fee will apply to tix purchases made online or over the phone. All Patrons and Subscribers must be logged in to access their tix and discounts.

Got Questions?
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(646) 506-9393 or
boxoffice@mcctheater.org.

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CREATIVE TEAM

RO REDDICK

BOOK, MUSIC, & LYRICS

RO REDDICK (playwright) is a queer Black playwright and songwriter. She writes off-kilter comedies (mostly); the theme songs to your late capitalist nightmares. Her play COLD WAR CHOIR PRACTICE (NYT Critic’s Pick, dir. Knud Adams), premiered in Clubbed Thumb’s Summerworks 2025, co-produced by Page 73. COLD WAR CHOIR PRACTICE was also produced in September 2025 at Trinity Repertory Company (dir. Aileen Wen McGroddy).
Ro is a member of the Page 73 Writers Group and a ‘24-’25 DGF Playwriting Fellow. She is also under commission at People’s Light Theatre for their Queerways PA commissioning and residency program. Her plays have been developed with Clubbed Thumb, Page 73, Trinity Rep, The Ground Floor (Berkeley Rep), Bushwick Starr Reading Series, and Williamstown Theatre Festival (NYC Reading, dir. Jamario Stills). Other fellowships, residencies, and honors include: Susan Smith Blackburn Prize nomination, Venturous Fellowship Nomination, Lambda Literary Fellow in Playwriting, Playwrights’ Center Core Apprentice, Adele Kellenberg Seaver Fellow in Creative Writing at Brown University, La Mama Umbria International Playwright Retreat, Miranda Theatre Company Playwright Grant, and 3x O’Neill Finalist. She is also an alum of the Brown BAI Songwriting Workshop and writes original songs for her plays.
In a past life, Ro performed in shows at the Hartford Stage, McCarter Theatre Center, Long Wharf, and KC Rep, and more; Off-Broadway in “SILENCE! THE MUSICAL,” and on screen in “THE AMERICANS,” “LOUIE,” and “SEX AND THE CITY 2.”
Ro holds an MFA in Playwriting from Brown and an MBA from NYU (which she has no intention of using).

KNUD ADAMS

DIRECTOR

KNUD ADAMS (director) is an Obie-winning director of artful new plays, based in New York City. He was recently Tony nominated for the acclaimed Broadway debut of Sanaz Toossi’s ENGLISH, which Variety hailed as “one of the best plays of the decade.” He is the only director to have premiered consecutive Pulitzer Prize winners: ENGLISH and Eboni Booth’s PRIMARY TRUST. Additional world premieres include: THE AVES, THE BOOK OF MOUNTAINS AND SEAS, I’M REVOLTING, BODIES THEY RITUAL, THE HEADLANDS, PARIS, TIN CAST SHOES, THE WORKSHOP, ASSHOLE, and TOM & ELIZA. Knud’s productions have been celebrated on “Best of the Year” lists by The Los Angeles Times, The New York Times, New York Magazine, The New Yorker, and The Washington Post.

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