WELCOME TO OUR 2026-27 SEASON!
Our 2026/27 season features a new play by a critical darling, the New York premiere of a beloved two-hander, and the world premiere of an exciting new musical. The MCC Youth Company returns, sharing their unique perspectives in their annual UNCENSORED production, and developing playwrights share their work through the JUDITH CHAMPION PLAYLABS READING SERIES. Join us for illuminating stories and thought-provoking experiences meant to continue the conversations long after the curtain closes.
Purchase your 2026-27 season package and enjoy our productions with priority access to the best seats, discounted additional tix, and more. Get even more access and benefits by joining our Patron Program.
LEARN MORE
ANON - the tempest at our kitchen table
PERFORMANCES BEGIN FALL 2026
The Newman Mills Theater
When a gay pride flag is unfurled across the street from Jeanie, an increasingly online TikToker in a suburb in Texas, two seemingly different households…freak out. How well do you know the people you live among, and with, in an America where the line between fantasy and reality has become increasingly optional?
More
THE HEART SELLERS
WINTER 2026
The Susan & Ronald Frankel Theater
THE HEART SELLERS is a warm and funny story of a chance encounter and quintessentially American connection. When Jane and Luna, two immigrant strangers, meet on Thanksgiving in 1973, they decide to spend this strange, new holiday together over an evening full of shared laughs, dreams, and a frozen turkey that refuses to thaw.
More
WHAT'S EATING GILBERT GRAPE
SPRING 2027
The Newman Mills Theater
WHAT’S EATING GILBERT GRAPE is a fresh look at this beloved story of a small-town life, a family on the edge, and the dream of escape.
What’s Eating Gilbert Grape is produced in association with Matt Ross, Dede Harris, and Linda Rubin.
More
MCC THEATER receives General Operating Support from the Howard Gilman Foundation, the Shubert Foundation, the Harold and Mimi Steinberg Charitable Trust, the New York State Council on the Arts, the Tow Charitable Fund, the Lucille Lortel Foundation, the Actors’ Equity Foundation, and the Lambs Foundation. Funding for open caption performances is provided, in part, by a grant from NYSCA/TDF TAP Plus.
MCC receives additional support from Harold J. Newman† & Ruth Newman, the Eric Rosedale Playwriting Fund, the MacMillan Family Foundation, the Emily Davie and Joseph S. Kornfeld Foundation, the Tiger Baron Foundation, the Blanche & Irving Laurie Foundation, the Richenthal Foundation, the Laurents/Hatcher Foundation, the Giving Bee Family Foundation, the Burton A. and Sandra D. Zipser Foundation, the Cornelia T. Bailey Foundation, the Axe-Houghton Foundation, the Find Your Light Foundation, and public funds from the New York City Department of Cultural Affairs in partnership with the city council.
Official tickets for MCC Theater performances are available only by purchasing through our website at mcctheater.org, calling Audience Services at (646) 506-9393, or visiting our theater during Box Office hours. Please be wary of other sites claiming to sell tickets to our events. MCC Theater’s official third-party ticketing partners are TodayTix and TDF. We do not endorse other third-party sites and cannot guarantee or verify the validity of any tickets purchased in this way if entry into our venues is attempted with an illegitimate ticket or a ticket obtained under fraudulent circumstances. In that case, we will not honor such tickets even if money was exchanged between you and a non-endorsed sales channel. MCC Theater is not financially responsible for any monetary loss you incur in third-party ticket transactions. Inquiries regarding purchases made through any third-party site should be directed to the original point of purchase.
Want access to our full 2025/26 season?
YES!
Click to YES to learn more about all the exclusive benefits for
SUBSCRIBERS & PATRONS
THE ROBERT W. WILSON MCC THEATER SPACE
Our home in Hell’s Kitchen allows us to deepen our mission and encourage greater collaboration among all of our ARTISTS, STUDENTS, and AUDIENCES.